WTF Portraits
The portraits contained in this link are indeed awkward and just a little frightening!
The portraits contained in this link are indeed awkward and just a little frightening!
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The iPhone has evolved in leaps and bounds since the smartphone first burst onto the scene in 2007, and one of the most impressive ways it has evolved is in its capability to take pictures. In the original iPhone, a camera was something of an afterthought; the current model has entire commercials dedicated to the camera.
But knowing intuitively that the camera has improved exponentially is a far sight from seeing it with your own eyes. And so, just like they did in 2011, the folks behind the popular iPhone app Camera+ got every model of the iPhone together took a set of comparison shots for your perusing pleasure.
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They ran the phones through their paces in three separate situations: a macro shot, a skyline shot and a low-light macro shot. The difference is striking. Sure, there’s not as much difference between, say, the 4S and the 5 (although, even there, the difference is noticeable), but from the original iPhone to now, it’s clear Apple has put a lot of work into making the camera great.
The biggest improvement by far came between the 3G and the 3GS. There was still no front-facing camera or flash to speak of, but that’s when we started seeing iPhone photography that actually caught our attention. Since then, the improvements have been incremental, but noticeable — even the addition of the scratch-resistant sapphire crystal surface between the 4S and the 5 seems to have helped.
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Keep in mind, these are just the overall comparisons. For a more in-depth look at each camera in the series and how it performed in each situation, head over to the Camera+ blog and scroll through the evolution of the iPhone camera for yourself.
Read more at http://petapixel.com/2013/05/14/comparing-the-quality-of-iphone-cameras-over-the-years/#EK1KwWvsg8ijDEcI.99
Why Large Format? Film? Are you Kidding Me?
Rumors of its death are greatly exaggerated: film is still very much alive. Large format photography, which uses sheets of film rather than rolls, is a special branch of photography requiring a high level of skill for success. Film is still readily available in sheet form fromKodak, Ilford, Fuji, Adox, and Rollei to name a few. Some people also load their cameras with X-ray film, duplicating film, and lithographic film as well as photographic paper and coated glass or metal, for an astonishing array of creative possibilities.
Most large format cameras are, to many people, antiquated instruments, but in fact many brands are manufactured today in much the same way as they were over 150 years ago. The image-making process is little changed since then, and while in the 19th century it was cutting edge, today it is valued for the patience it requires, the surprise factor of developing film, and the sense of accomplishment it fosters. Artists also value sheet film for the incredible amount of detail and fine resolution it provides, enabling extraordinary and very precise enlargements.
It isn’t just the image quality that draws people to shoot in large format, it is the extension of photographic tradition. Many of the greatest photographers used sheet film, even when the more convenient, smaller, film was available : Ansel Adams, Tina Modotti, Paul Strand,Margrethe Mather, Edward Weston, Sonya Noskowiak, Eadweard Muybridge, Imogen Cunningham, Charles Sheeler, Consuelo Kanaga, Alfred Stieglitz, and many others. Their images continue to influence artists today. Large format is also the choice of photographers pursuing alternative methods of image making, replicating and changing the processes employed in the 19th and early 20th century. Such techniques as wet-plate collodion,ambrotypes, carbon printing, cyanotypes, and platinum printing are widely used, despite their age.
Using a big camera and ‘shooting large’ requires patience, perseverance, benevolence, and consistency, all good practices for life as well as art.
1. What camera do you use?
2. What filters/presets are you using to edit?
3. Where did you go to school to study photography?
4. Why don’t you shoot Canon?
5. Why don’t shoot Nikon?
6. What do you think of Canon D800 CaptureOnce Mark CS blah blah blah?
7. Can’t you just photoshop it?
8. What were your camera settings for that photo?
9. What lens should I use?
10. What editing software are you using?
—-
;]
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We reported last August that Kodak was looking to sell its camera film business along with a number of other core businesses. Well, the company has now succeeded.
Kodak announced today that it has reached an agreement to sell off its two remaining imaging divisions — which includes its photographic film business — in a major deal worth $2.8 billion.
The company is handing over control of its Personal Imaging and Document Imaging divisions to the United Kingdom’s Kodak Pension Plan (KPP), which is the bankrupt firm’s largest creditor.
In addition to settling $2.8 billion in obligations with KPP, Kodak will be receiving $650 million in cash and other assets in exchange for the divisions.
Kodak first began selling film, chemicals, and paper in 1889
The Personal Imaging division includes over 100,000 Kodak kiosks located around the world, photographic paper, photographic film, and souvenir photo products. The Document Imaging division includes things like scanners and related software/services.
Kodak CEO Antonio Perez says that this deal will allow the company to emerge from bankruptcy as it transforms into a commercial printing company.
There’s no word yet on what the future holds for Kodak’s film and paper lines, which are still used by countless photographers around the world. The company does say that the deal will provide financial stability for the businesses that will be “beneficial to those businesses’ employees, customers and partners.” That’s a silver lining for film photographers who don’t want to see Kodak films disappear.
Read more at http://petapixel.com/2013/04/29/kodak-to-sell-its-camera-film-and-imaging-businesses-in-2-8-billion-deal/#S0FSAhB6wRF3Cww3.99
Sad day, I bought my 503CW new only 12 years ago…
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On the same day that Kodak announced the sale of its camera film business, Hasselblad had big “ending” news of its own. The company today announced that it will no longer be producing the 503CW medium format camera. This teams the V System line is officially coming to an end.
Hasselblad says that he decision, which is effective immediately, ends “over a half century of evolution” for the company’s original camera line.
The Hasselblad V System was first introduced in 1948 through founder Victor Hasselblad’s wishes to see a camera that’s as holdable as a Leica, but which shoots medium format film.
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The 503CW has been popular among professional and amateur photographers since it was launched seventeen years ago, but Hasselblad says that demand for the camera has been plummeting over the past half decade. “The time has now come for us to reluctantly consign the V System to history,” the company says.
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With the demise of the V System, Hasselblad is now directing the photography world’s attention to its H System of digital medium format cameras, which it calls “the world’s most advanced camera system.”
Oh, that and its Lunar mirrorless cameras.
P.S. Hasselblad didn’t come up with the name “V System” until the “H System” was announced. It was at that time that the company decided to create a name for the old system to distinguish it from the new one.
Read more at http://petapixel.com/2013/04/29/hasselblad-kills-off-the-503cw-officially-ending-the-v-system-line/#50rzOtvv0jfLym1D.99
I just found an interesting page, Anywhen:
A collection of old photographs and such. Very amusing!
Photo above: 1923, Silliness
From:
A neat piece of photo-related home (or studio) decor: Brooklyn-based poster printer Pop Chart Lab has created a beautiful new poster called “A Visual Compendium of Cameras” that offers a brief visual history of photography.
The company researched the history of photography and picked out 100 landmark cameras that made a splash on the industry — both professional and consumer cameras.
They then created pixel art illustrations showing the front of each of these cameras, and put them in chronological order to trace “photography’s history from the first models to today’s digital wonders.”
Here’s a closer look at what this poster and its illustrations look like up close. This screenshot is of the upper left hand corner, which shows early cameras (it starts off in 1888 with a Kodak camera):
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This screenshot shows the bottom right hand corner, which has a bunch of modern cameras (including an iPhone):
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Each print measures 18-inches by 24-inches, is created using 100lb archival recycled stock and vegetable-based inks, and is signed by the artists who created the illustrations.
The first printing will be for 500 posters and will go up for sale on April 26, 2013. You can preorder one now over on the Pop Chart Lab website for $22. You can also order a framed version of the poster for $107.
A Visual Compendium of Cameras [Pop Chart Lab via Laughing Squid]
Read more at http://petapixel.com/2013/04/24/a-poster-that-shows-100-groundbreaking-cameras-in-the-history-of-photography/#fQOKiiODZWsM5dCB.99
Sports Balls Replaced With Cats
See more with the link below:
Remember, this is photoshop people. No cats were harmed in the making of these hilarious images!